With Vivienne becoming gradually popular with every passing illustration, we know that she will continue to entertain, surprise, and floor us with her bold and detailed illustrations. “It’s been really hard to be happy and creative during the pandemic, but I wish to continue creating interesting and fun illustrations for myself and others,” Vivienne says on what she hopes is next for herself. “Of course, I also wish to explore more and try out new subjects in my works in the future.”
As for her process, Vivienne is a dedicated physical sketcher. “I always start with sketches in my sketchbook, which makes me feel freer instead of starting sketches from the digital,” she explains. “Then, I will scan the sketches and start to do the illustrations digitally and I always go for the pencil brushes to create a more analogue texture.” As mentioned, Vivienne then uses aesthetic qualities of herself and those around her to inform the characters and their surreal situations. “I love observing real life, and mainly small and funny moments that will inspire me,” she says. “I have a series about my daily life with my boyfriend and I also created two projects about fertility and another about menstruation.”
Vivienne is not one to shy away from grappling with topics she has strong opinions and feelings about, hence her work The Perfect Female Magazine. “It’s about my opinions and thoughts towards the subject of fertility in Chinese culture,” Vivienne explains. “I have included the stereotypical aspects and thoughts about pregnancy, breastfeeding and birth-giving in the form of a gossip magazine, which was inspired by the Hong Kong tabloid magazines.” In doing so, Vivienne hopes to bring these topics out of the margins, into the limelight, and create a visual map of how she really feels. “I like it because this is the first project where I have pushed the boundaries of traditional aspects of fertility and motherhood, and present it strongly and ironically,” she adds. The illustrations circulated around Chinese social media platforms, where they generated a schism of opinion. “It was super interesting to see people’s thoughts about that,” Vivienne says. “Plus, I would say this is the project that finally unified my signature visual style, and I like how I included Chinese texts in the illustrations.”