Modern Look: Photography and the American Magazine aims to explain the visual impact that a group of artists forced out of Europe by Nazi Germany, who came to the land of plenty in the late 1930s and 40s, had on visual culture. “This émigré experience brought to America many avant garde artists, people who had not only eclectic talents, but who were also very much idealistic in their concern for art, and its rapport with industry,” explains senior curator Mason Klein, who has organised the show. 
Senior curator Mason Klein explains how photography, graphic design and magazines transformed American visual culture from 1930 to 1960, ahead of a new exhibition at the Jewish Museum in New York

Top: A Report to Skeptics, Suzy Parker, April 1952, Harper’s Bazaar by Lillian Bassman; © Estate of Lillian Bassman. Above: Nan Martin, Street Scene, First Avenue, 1949 by Frances McLaughlin-Gill; © Estate of Frances McLaughlin-Gill

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